宋代家具的重新审视——以“和合之美”为透镜  

Rethinking the Furniture of the Song Dynasty——Using the Beauty of Harmony as a Lens

作　　者：黄浩 刘芬[1] Huang Hao;Liu Fen

机构地区：[1]湖南工业大学包装设计艺术学院,湖南株洲412007

出　　处：《家具与室内装饰》2024年第5期4-8,共5页Furniture & Interior Design

基　　金：教育部人文社会科学项目(19YJA760086);湖南省教育厅重点项目(21A0367)。

摘　　要：宋代家具作为中国家具发展史上的重要转折点,很大程度上奠定了中国传统家具的基本格局和文化底蕴。文章探讨了宋代家具的美学观、适巧观、礼制观以及融合观,分析了此四者在家具设计与制作中的应用及影响。研究发现,在和美之境的造物美学思想加持下,宋代家具首先从时代属性和数理关系两个层面体现了对“适”与“巧”的追求与创新。接着将家具作为礼制象征的载体,突出家具崇礼重制的礼制观。最后,宋代家具将本体、意象与情境自然的浑然相融,实现了向和谐、共生、包容的“人——家具——建筑环境”过渡。不仅体现了和合之美的宋代家具之融合观,还对中国传统家具的再设计提供了重要的理论指引和启发。The furniture of the Song Dynasty,as an important turning point in the development history of Chinese furniture,largely established the basic pattern and cultural heritage of traditional Chinese furniture.The article explores the aesthetic,skillful,ritual,and fusion perspectives of furniture in the Song Dynasty and analyzes the application and influence of these four perspectives in furniture design and production.Research has found that with the support of the creation aesthetics of the realm of harmony and beauty,furniture in the Song Dynasty first reflected the pursuit and innovation of"adaptability"and"cleverness"from two aspects:the attributes of the times and the mathematical relationship.Next,furniture will be used as a carrier of ritual symbols,highlighting the concept of respecting etiquette and emphasizing systems in furniture.Finally,the furniture of the Song Dynasty seamlessly integrated ontology,imagery,and contextual nature,achieving a transition to a harmonious,symbiotic,and inclusive"human furniture architectural environment."Not only does it reflect the fusion concept of Song Dynasty furniture that embodies the beauty of harmony,but it also provides important theoretical guidance and inspiration for the redesign of traditional Chinese furniture.

关 键 词：宋代家具 文人思想 适巧观 融合观 

分 类 号：TS664.1[轻工技术与工程]