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作 者:范伟[1] 刘哲曦 孟君梅 吴宜航 Fan Wei;Liu Zhexi;Meng Junmei;Wu Yihang
出 处:《家具与室内装饰》2024年第5期24-29,共6页Furniture & Interior Design
基 金:教育部人文社会科学研究项目(20YJA760012)。
摘 要:挖掘用户对楚漆器凤鸟感性意象的认知,探究家具形态设计的创新发展模式。基于感性工学理论,建立楚漆器凤鸟图像样本和感性词汇的语义差分调查问卷,通过调研获取“降维”的三大类型因子,然后以类型因子中较为突出的楚漆器凤鸟感性意象作为设计要素,结合AIGC多样化生成的家具载体进行概念设计以及模糊综合评价。评价的综合指标显示,两款楚漆器凤鸟感性意象的家具形态设计都达到“中等”及以上的模糊等级。感性工学和AIGC相结合设计的楚漆器凤鸟家具能够合理满足用户的感性认知需求,为同类型文化元素在当代家具形态设计中的应用提供借鉴和思考。Explore users'cognition of the perceptual image of the phoenix bird in Chu lacquerware,and explore the innovative development model of furniture form design.Based on the theory of Kansei Engineering,a semantic differential questionnaire of Chu lacquer phoenix bird image samples and perceptual words was established.Through the survey,three major type factors of"dimension reduction"were obtained,and then the perceptual image of Chu lacquer phoenix bird,which was more prominent among the type factors,was used as the design element,combined with the furniture carriers diversified by AIGC for conceptual design and fuzzy comprehensive evaluation.The comprehensive index of evaluation shows that the furniture form design of the two pieces of Chu lacquer ware with the perceptual image of a phoenix bird has reached the fuzzy level of"medium"and above.The Chu lacquerware Phoenix Bird furniture designed by combining Kansei Engineering and AIGC can reasonably meet the user's perceptual cognitive needs and provide reference and thinking for the application of similar cultural elements in contemporary furniture form design.
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