《雅各与天使搏斗》——高更、梵高与幻象的心理动能  

Jacob Wrestling with the Angel:Paul Gauguin,Van Gogh and the Psychological Power of Vision

作　　者：邹建林[1] Zou Jianlin(Sichuan Fine Arts Institute)

机构地区：[1]四川美术学院

出　　处：《美术》2024年第6期120-132,共13页Art Magazine

摘　　要：1890年前后,高更和梵高创作过一些《圣经》题材的作品,《雅各与天使搏斗》即是其中之一。这些象征主义作品涉及幻象,而当时的幻象也正在经历从宗教语境向医学、心理学语境的转变,其中最有名的是卢尔德的圣母显灵事件及随后出现的治病“奇迹”。卢尔德幻象和奇迹反映了宗教与医学之间的合作和冲突,也表明作为一种心理现象的幻象无法被科学和理性祛除。梵高这一时期的基督题材作品即是他与自身心理幻象“搏斗”的记录,体现了幻象所具有的强大心理动能。Paul Gauguin and Van Gogh created some Bible-themed artworks around 1890, one of which was Jacob Wrestling with the Angel. These symbolist paintings involved vision, which at that time was transforming from a religious context to a medical and psychological context. The most famous was Lourdes apparitions and the subsequent “miracles” of treatment, reflecting the cooperation and conflict between religion and medicine, and showing that vision as a psychological phenomenon cannot be dispelled by science and reason. The Christ-themed paintings created by Van Gogh during this period can be considered as records of his “fight”with his own vision, demonstrating the great psychological power of vision.

关 键 词：雅各与天使搏斗 高更 梵高 幻象 象征主义 

分 类 号：J205[艺术—美术]