否定之美——比较视野下汉画像砖的图式建构  

Beauty of Negation:The Schema Construction of Han Dynasty Portrait Bricks from a Comparative Perspective

作　　者：王莓婷 

机构地区：[1]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2024年第2期95-98,共4页China Ceramic Industry

摘　　要：在当代艺术全球化发展的浪潮中,研究中国传统艺术有助于发掘本土艺术特色。作为一种不同于西方而独存的美术形式,汉画像砖是受汉代厚葬文化影响而兴盛、发展的艺术形式。在比较视野下研究汉画像砖的图式建构,可以发现其对常规认知的否定之美,具体表现为:在图形设计上,对自然形象的否定;在图案组合上,对单一视角的否定和对时空规律的否定;在宗教信仰上,对世俗生活的否定。这些图式建构,否定了原有的认知方式,却达到了一种并不“正确”的精彩,体现了汉朝时期浪漫奔放的美学风貌与博大精深的文化内涵。In the wave of global development of contemporary art,studying traditional Chinese art helps to explore local artistic characteristics.As a unique art form different from the West,Han Dynasty portrait bricks flourished and developed under the influence of the Han Dynasty's ceremonious burial culture.From a comparative perspective,studying the schematic construction of Han Dynasty portrait bricks can reveal their negation of conventional cognition,specifically manifested as the follow:In graphic design,the negation of natural images;in pattern combinations,the negation of a single perspective and the negation of the laws of space and time;in religious beliefs,the negation of secular life.These graphic constructions negate the original way of cognition,but achieve a not‘correct'wonderful,reflecting the romantic and unrestrained aesthetic style and profound cultural connotation of the Han Dynasty.

关 键 词：否定 比较视野 汉画像砖 图式建构 

分 类 号：K234[历史地理—历史学] J205[历史地理—中国史] K879.4[艺术—美术]