诗意的油画与油画的诗意——吴冠中写意油画中的诗性追求  

Poetic Oil Painting and the Poetry of Oil Painting——The Poetry Pursuit in the Freehand Oil Paintings by Wu Guanzhong

作　　者：青寰 QING Huan(School of Art,Zunyi Normal University,Zunyi 563006,China)

机构地区：[1]遵义师范学院美术学院,贵州遵义563006

出　　处：《遵义师范学院学报》2024年第3期166-169,共4页Journal of Zunyi Normal University

摘　　要：吴冠中作为20世纪现代中国绘画的代表画家之一,在创作生涯中始终不懈地探索东西方绘画两种艺术语言的不同美学观念,其油画作品在形式上极具中国式的写意性风格,在意味上兼具诗性的表达和追求,形式与意味的高度统一中,蕴含了一种诗意情怀的追求。而如何使西方油画与中国传统文化精神相契合,写意油画中的诗性追求,从另一形式上实现了中国传统文人画诗画一体的美学价值,这既是我们对中国传统绘画思想审美核心的继续和传承,也是中国式写意油画的写意性精神和内涵,同时也是一个长期的探索过程。As one of the representative painters of modern Chinese painting in the 20th century,Wu Guanzhong tirelessly explored the different aesthetic concepts of the two artistic languages of Eastern and Western painting in his creative career.His oil paintings have a highly Chinese style of freehand brushwork in form,and a poetic expression and pursuit in meaning.The high unity of formand meaning contains a pursuit of poetic sentiment.Howto alignWestern oil painting with the spirit of traditional Chinese culture&the poetic pursuit in freehand oil painting to achieve the aesthetic value of integrating Chinese traditional literati painting with poetry and painting in another form,is not only our continuation and inheritance of the aesthetic core of Chinese traditional painting ideology,but also the freehand spirit and connotation of Chinese style freehand oil painting,meanwhile,it is also a long-termexploration process.

关 键 词：吴冠中 写意油画 诗意 

分 类 号：J05[艺术—艺术理论]