瓷上太湖石表现技法探讨  

Discussion on the Technique of Taihu Stone on Porcelain

作　　者：汪明 汪聪 Wang Ming;Wang Cong(Wang Ming Ceramic Art Museum,Jingdezhen,333000)

机构地区：[1]汪明陶瓷艺术馆,景德镇333000

出　　处：《陶瓷研究》2024年第2期126-128,共3页Ceramic Studies

摘　　要：太湖石在中国文人雅士赏石文化中已留存千年,其作为中国重要且特殊的传统文化载体之一,不仅独具鲜明的艺术魅力,还承载着中国文人特有的审美思想及对自然观、审美观、人生观的理解。太湖石作为画家们钟爱的绘画元素之一,自魏晋南北朝始,随着时代的变迁,发展至今,已经衍生出各式各样的表现技法。本文主要以陶瓷绘画中的太湖石为研究对象,从太湖石的发展历史、艺术特点、功能特征和文化内涵切入,探讨如何通过陶瓷独有的绘画语言来表现太湖石的“瘦、漏、透、皱”。The Taihu Stone has been preserved for thousands of years in the culture of Chinese literati and scholars admiring stones.As one of the important and special carriers of Chinese traditional culture,it not only has distinctive artistic charm,but also carries the unique aesthetic ideas of Chinese literati and their understanding of nature,aesthetics and outlook on life.As one of the favorite painting elements of painters,the Taihu Stone has derived a variety of performance techniques since the Wei,Jin,Southern and Northern Dynasties.This article mainly takes the Taihu Stone in ceramic painting as the research object,and from the development history,artistic characteristics,functional characteristics and cultural connotation of the Taihu Stone,discusses how to express the"thin,leaky,transparent and wrinkled"of the Taihu Stone through the unique painting language of ceramics.

关 键 词：太湖石 传统文化 陶瓷绘画 

分 类 号：J527[艺术—艺术设计]