刘禹锡与牛僧孺、裴度、李德裕唱和诗的多维互动考释  

The Multi-Dimensional Interaction of the Singing and Poetic Theory Between Liu Yuxi and Niu Sengru,Pei Du and Li Deyu

作　　者：唐帅 TANG Shuai(College of Chinese Language and Literature,Xi’an University of Finance and Economics,Xi’an 710061,Shaanxi,China)

机构地区：[1]西安财经大学文学院,陕西西安710061

出　　处：《咸阳师范学院学报》2024年第3期81-86,92,共7页Journal of Xianyang Normal University

摘　　要：刘禹锡于永贞新政受挫后,二十多年间处于贬谪之中,虽然他积极进取,以唱和诗为政治交往工具,但终究未获得多大的实效。他与牛僧孺、裴度、李德裕的唱和,并不仅仅是诗人间的艺术观照。刘禹锡对三者的不同情感态度,在唱和诗中有较为明显的体现。他与三人的唱和在题材方面可以说无所不涉,在艺术手法方面则强化了用典的特征。刘禹锡与三人的唱和是政治交往的手段,因此对刘禹锡的诗风有一定的影响。After the defeat of the Yongzhen New Deal,Liu Yuxi was banished for more than 20 years.Although he actively engaged in singing and poetry as a political communication tool,he ulti-mately did not achieve much practical results.His singing with Niu Sengru,Pei Du and Li Deyu is not merely an artistic reflection of the poets.Liu Yuxi’s different emotional attitudes towards the three have obvious tendencies in the harmony poems.His singing with the three can be said to be omniscient in terms of themes,in terms of artistic techniques to strengthen the characteristics of allusion.It is pre-cisely because Liu Yuxi and the three singing is a means of political communication that Liu Yuxi’s style of poetry has a certain impact.

关 键 词：刘禹锡 牛僧孺 裴度 李德裕 唱和诗 

分 类 号：I206.2[文学—中国文学]