被囚禁在文本内的叙述动力——以理查逊的理论与其编选的文集为中心  

The Prisoned Narrative Dynamics in a Text:Centered around Richardson’s Theory and His Selected Essays

作　　者：乔国强[1] QIAO Guoqiang

机构地区：[1]上海外国语大学犹太研究所,上海200083

出　　处：《上海师范大学学报（哲学社会科学版）》2024年第3期49-59,共11页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

摘　　要：叙述动力(学)是叙述研究中比较重要的一个话题。以布赖恩·理查逊编选的《叙述动力(学)》等为例,主要论述两方面的问题:一是说明建立在文本基础之上,即纯粹从叙述结构内部的运动中构建起来的叙述动力(学)虽然也自成一体,但毕竟它还是偏狭的,不能全面、系统地反映和揭示出叙述规律;二是在梳理和总结以理查逊为代表的这类叙述动力(学)不足的同时,提出叙述动力(学)研究应该打破这种完全以文本为依据的形式主义结构,把叙述动力(学)与文本外的一些要素,如作者的创作灵感、创作动机对文本框架构思的影响,读者的阅读、审视、感悟等一系列与认知相关的活动等,纳入相关的研究框架中。总之,叙述动力(学)并非一种封闭性的文本内循环运动的结果,而是三大系统——作者、文本、读者之间相互联系和互为作用的结果。Narrative dynamics is one of the important topics in narrative studies.Focusing on Brian Richardson’s Narrative Dynamics,Essays on Time,Plot,Closure,and Frames,the present paper mainly discusses two issues:(1)the viewpoint that the narrative dynamics,which is based on text only,i.e.is an internal movement in a text.The present author maintains that this viewpoint is biased and fails to systematically reveal the law of narrative;(2)in the meantime to review some related essays on narrative dynamics and expose their inadequateness,the present paper proposes to break the current pattern of formalist stud-ies represented by Richardson,and bring some other factors such as the author’s creative inspiration,motives and the influences on the structuring text and reader’s reading,observation,and perception that are related cognitive experience into the studies of narrative dynamics.In brief,narrative dynamics is not and internal and closed movement,but an interaction among the three sys-tems of author,text and reader.

关 键 词：叙述动力(学) 布赖恩·理查逊 时间 情节 框架 

分 类 号：I05[文学—文学理论]