事件·关系·间性:语境诗学的三种理论范式  

Events, Relationships and Intertextuality: Three Theoretical Paradigms of Contextual Poetics

作　　者：徐杰[1] XU Jie

机构地区：[1]西南民族大学中国语言文学学院,四川成都610041

出　　处：《海峡人文学刊》2024年第2期1-10,155,共11页Journal of Humanities Across the Straits

基　　金：国家社科基金后期资助项目“语境诗学的理论流变与当代价值研究”(19FZWB028)。

摘　　要：文艺理论除了聚焦于文本的阐释,还应该关注不在场的和不可言说的语境维度。语境诗学便是在此基础上建构的以“语境”作为“元范畴”的理论。“事件”“关系”“间性”成为语境诗学建构的三种重要范式。“事件”范式关注文学发生的现场性、主体的参与性和文学对世界的介入性。“关系”范式主张从非实体、非本质的多重多维的“关系界”来审视文艺对象。“间性”范式强调从时空、过程、网络和环境等非实体因素来审视文学的存在。In addition to focusing on the interpretation of texts,literary theory should also pay attention to the absent and ineffable dimension of context.“Contextual poetics”is a theory constructed on this basis with“context”as the“meta-category”.“Event”,“relationship”and“intertextuality”are the three important paradigms for the construction of“contextual poetics”.The“event”paradigm is concerned with the scene of literary occurrence,the participation of the subject and the intervention of literature in the world.The“relationship”paradigm advocates examining literary objects from a non-physical,non-essential,multi-dimensional“relational world”.The“intertextual”paradigm emphasizes to examine the existence of literature from non-physical factors such as space-time,process,network and environment.

关 键 词：语境诗学 事件 关系 间性 

分 类 号：I02[文学—文学理论]