国际化与国族化:20世纪早期西方国族建筑中的现代主义  

International and National:Modernism in National Architecture in Early-20th Century in the

作　　者：潘曦[1] 朱安琪 朱逸云 PAN Xi;ZHU Anqi;ZHU Yiyun

机构地区：[1]北京交通大学建筑与艺术学院

出　　处：《建筑师》2024年第3期49-57,共9页The Architect

基　　金：北京市社科基金青年学术带头人项目“多元建筑文化遗产与中华民族身份认同研究”(编号21DTR023)。

摘　　要：20世纪,强调“国际化”的现代主义建筑与强调“国族化”的国族主义产生深刻交集,在现代民族国家国族身份认同的塑造中扮演了重要作用。本文阐释了这分别带有排他性和包容性、看似矛盾的两者形成交集之成因,丰富了建筑作为一种政治文化这一议题的讨论:一方面,现代主义建筑所代表的时代精神与部分新生民族国家的意识形态达成一致,参与到后者对其国族身份认同的塑造中;另一方面,随着现代主义建筑的逐渐国际化,这一国际式风格成为主流话语的一种体现,使西方世界中的“边缘”国家效仿跟进,成为其国族建筑风格的选择。In the 20th century,Modernism Architecture encountered with nationalism and played an important role in the shaping of national identities of modern national-states,although the two tended to be exclusive and inclu-sive respectively.This paper aims to interpret the reasons of this very encounter of opposite sides,and enrich the discussion on the topic of architecture as political culture.On one hand,the time spirit represented by modern-ism Architecture reached an agreement with the ideology of some newly established nation-states,and became a means of shaping their national identities.On the other hand,with the internationalization of modern architec-ture,the international style gradually became a manifestation of mainstream discourse.Therefore,the“marginal”countries in the Western world followed up and chose it as their national architectural style.

关 键 词：国族建筑 现代主义 国际主义 国族主义 

分 类 号：TU-021[建筑科学—建筑理论]