新媒体语境下中国戏曲动画的重构与创新研究  

Research on the Reconstruction and Innovation of Chinese Opera Animation in the Context of New Media

作　　者：毛可人 段思宇 钱似锦 MAO Keren;DUAN Siyu;QIAN Sijin(Hebei Normal University,Shijiazhuang 050000,Hebei,China)

机构地区：[1]河北师范大学,河北石家庄050000

出　　处：《玩具世界》2024年第4期87-89,共3页Toys World

基　　金：2024年河北师范大学研究生创新资助项目“戏曲人物动漫画化创新设计研究——以河北梆子经典剧目为例”(XCXZZSS202421)研究成果。

摘　　要：在新媒体时代,新媒体技术成为传播传统戏曲的重要手段,通过与动画巧妙结合,开创了戏曲艺术传播的全新范式。文章总结了中国戏曲及戏曲动画的发展现状,探讨了新媒体语境下中国戏曲动画的重构,并从戏曲漫游、戏曲共创、虚实交融三方面入手,开展创新化和合理化的新探索,旨在更好地促进优秀传统文化的传承和发展。In the era of new media,new media technology has become an important means to spread traditional opera.Through the ingenious combination with animation,it has created a new paradigm for the dissemination of opera art.This paper summarizes the development status of Chinese opera and opera animation,discusses the reconstruction of Chinese opera animation in the context of new media,and carries out new exploration of innovation and rationalization from three aspects:opera roaming,opera co-creation and the void and the solid blending,aiming at better promoting the inheritance and development of excellent traditional culture.

关 键 词：新媒体 中国戏曲动画 传统文化传承 动画创作 戏曲元素 

分 类 号：J218.7[艺术—美术]