皖南花鼓戏丑角行当分类考述——兼论其美学特征  

Classification of Clowning in Huagu Opera in Southern Anhui:Also on Its Aesthetic Characteristics

作　　者：赵强 ZHAO Qiang(School of Drama and Film and Television,Shanxi Normal University,Taiyuan 030031,China)

机构地区：[1]山西师范大学戏剧与影视学院,山西太原030031

出　　处：《宿州学院学报》2024年第4期53-58,共6页Journal of Suzhou University

基　　金：国家社科基金艺术学重大项目(18ZD08)。

摘　　要：皖南花鼓戏丑角艺术精妙绝伦,依据现存皖南花鼓戏剧目研究资料,从戏剧学的层面划分皖南花鼓戏中丑角类型,对皖南花鼓戏丑角行当从性别和做功的角度进行多元化分类,展现皖南花鼓戏丑角行当的丰富艺术形象,解析其蕴含的艺术意蕴,探究其在当前文化传承与发展中的价值。从接受美学理论切入,综合分析皖南花鼓戏丑角艺术的美学特征,重点阐释以丑现美、以丑亲民、以丑刺实等三种美学精神内涵。The clown art of Huagu Opera in southern Anhui is exquisite.According to the existing research data of the repertoire of Huagu Opera in southern Anhui,the types of clowns in the opera are divided from the level of drama,and the clown line of Huagu Opera in southern Anhui is diversified and classified from the perspective of gender and performance,so as to show the rich artistic image of the clown line of Huagu Opera in southern Anhui and analyze its artistic implication and explore its value in current cultural inheritance and development.Starting from the theory of reception aesthetics,this paper comprehensively analyzes the aesthetic characteristics of the clown art of Huagu Opera in southern Anhui,and focuses on the three aesthetic spiritual connotations of showing beauty with ugliness,touching the people with ugliness and sticking reality with ugliness.

关 键 词：皖南花鼓戏 丑角行当 分类 美学特征 

分 类 号：J825[艺术—戏剧戏曲]