印度古代美术的世界意义及其学术史考察  

Studies on the World Role of the Fine Arts in Ancient India and Its Academic History

作　　者：尹锡南[1] Yin Xinan

机构地区：[1]四川大学南亚研究所

出　　处：《南亚研究季刊》2024年第2期121-141,159,160,共23页South Asian Studies Quarterly

基　　金：2021年国家社会科学基金重大招标项目“印度古代文艺理论史”(项目编号:21&ZD275)的阶段性成果。

摘　　要：印度古代美术具有非常典型的世界意义和卓越的世界地位。印度美术历史悠久且成就辉煌,它自成一体并独具特色。以犍陀罗佛教艺术、阿旃陀石窟等为代表的印度古代美术深刻地影响了世界古代艺术史。印度古代美术理论自成体系,创造了诸如宅地原人、量度、工巧等举世无双的艺术范畴。19世纪中期以来的三个世纪中,西方学者的印度古代美术研究产出了不少成果。印度本土学者虽然在时间上晚了半个多世纪,但他们深谙本土宗教文化,在印度美术研究方面作出了很多独具特色的学术贡献。中国学者的印度美术研究起步很晚,且存在某些局限,但他们仍在诸多领域作出了贡献。The fine arts or so-called vastu,silpa and citra in ancient India hold an important position in the history of world arts and human civilization.With its brilliant achievements and unique artistic features,the time-honored Indian fine arts,represented by the Buddhist arts of Gandhara and Ajanta Caves,,have deeply influenced the ancient art history of the world.Because of its unique creations of the incomparable artistic categories,particularly the concepts of vastupurusa,mana and silpa,etc.,Indian ancient art theory has its own Indian characteristic system.Since mid-19th century,W estern scholars have achieved tremendously in the study of ancient Indian arts.While in India,though started about half a century later than their European counterparts,Indian scholars have made themselves distinctive in the study of Indian Fine Arts with their unique academic contributions.Compared with the studies in the West and India,studies of Indian fine arts in China initiated much later,but they still made great contributions in many fields.

关 键 词：印度美术 美术理论 工巧论 佛教艺术 建筑艺术 

分 类 号：J135.110.92[艺术—艺术理论]