弥合断层,走向互动:中国当代艺术的“公众面向”  

Bridging the Gap and Moving towards Interaction:The“Public Orientation”of Chinese Contemporary Art

作　　者：谢慧英[1] Xie Huiying

机构地区：[1]集美大学海洋文化与法律学院

出　　处：《艺术传播研究》2024年第4期57-67,共11页Journal of Art Communication

基　　金：福建省社科联规划基金项目“传统资源转化与闽系当代艺术家创融研究”(编号:FJ2021B196)的阶段性成果。

摘　　要：从全球化时代各国各民族谋求文化发展、确认文化身份的路径看,当代艺术应当能成为国际交流中塑造国家形象、彰显国家文化活力的重要载体。优秀的本土当代艺术能够为具备明确的当代意识和时代感的国人提升参与社会文化事务的能力与审美水准做出自己的贡献。然而出于历史背景、当代艺术自身对观念阐释的依赖,以及消费主义和泛娱乐性文化生态环境等因素的影响,目前的中国当代艺术与大众之间尚有巨大的审美“断层”。在新的时代语境下,中国当代艺术迫切需要重新思考其“公众面向”的应有之义,以切实寻求与公众互动的有效路径,展现出应有的姿态。From the perspective of seeking cultural development and confirming cultural identity in the era of globalization,contemporary art is capable of becoming an important carrier for shaping national image and showcasing national cultural vitality in international exchanges.The Chinese people in the new era need a clear contemporary consciousness and sense of the times,as well as the ability to participate in social and cultural affairs and strong aesthetic abilities.However,due to historical background,contemporary art’s reliance on conceptual interpretation,as well as the influence of consumerism and the pan entertainment cultu-ral ecological environment,there is still a huge aesthetic gap between Chinese contemporary art and the masses.In the new era context,Chinese contemporary art urgently needs to rethink its rightful meaning of“public orientation”,in order to seek effective ways to interact with the public and show its rightful posture.

关 键 词：中国当代艺术 审美断层 公众传播 艺术当代性 艺术普及 

分 类 号：J124[艺术—艺术理论]