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作 者:周萌 ZHOU Meng(School of Humanities,Shenzhen University,Shenzhen 518060)
出 处:《阴山学刊》2024年第3期41-47,共7页Yinshan Academic Journal
摘 要:诗话是古典诗学的主流形式之一,却常被今人批评缺乏逻辑性,这种误解是忽视诗话逻辑表达特殊性的结果。以《冷斋夜话》为例,从话题的选择与编排、受众的预设与引导、热点的争议性阐释、群体的助推性互动等多重角度来看,宋代诗话虽非按照概念逻辑组织成篇,但传播逻辑清晰可见,并对诗学理念与方法的呈现有决定性影响。正因如此,厘清文本生成机制,对于深入了解宋代诗话的内在理路,更合理地与国外诗学比照得失,均有启发意义。Poetry talks are the mainstream forms of classical poetics,but they are often regarded as lacking of logic,and this misunderstanding is the result of ignoring the particularity of poetic logical expression.However,taking Leng Zhai Ye Hua as an example,from four points of view such as topic selection and reorganization,audience preset and guidance,hot controversial interpretation,collection of poetry talks’promotional interaction,poetry talks are truly not organized by conceptual logic,but their inner communication logic are still clearly visible,and they have a decisive impact in presentation of poetic ideas and methods.Therefore,it is instructive to clarify the text generation mechanism for in-depth understanding of the intrinsic rationale of poetry talks and reasonably comparing with foreign poetics.
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