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作 者:陈坚 CHEN Jian(College of Fashion and Design,Donghua University,Shanghai 200051,China;China National Cultural Image Inheritance Research Center,Beijing Film Academy,Beijing 100088,China)
机构地区:[1]东华大学服装与艺术设计学院,上海200051 [2]北京电影学院中国民族文化影像传承研究中心,北京100088
出 处:《东华大学学报(社会科学版)》2024年第2期140-146,共7页Journal of Donghua University:Social Science
基 金:国家社会科学基金重大项目(特别委托项目)“中国节日志”(项目编号:09@ZH013)“中国节日影像志”子课题:“拉萨春节”(项目编号:YXZ2023002);“拉萨雪顿节”(项目编号:YXZ2018027);“藏族赛马节”(项目编号:YXZ2016002);“藏族香浪节”(项目编号:YXZ2015021);“藏族新年”(项目编号:YXZ2014009)。
摘 要:在铸牢中华民族共同体意识、构建人类命运共同体的时代背景下,为推进我国影视人类学学科建设与跨学科实践,加强学术研究与社会发展需求的融合,中国民族学学会和东华大学以“新时代·新视野·新影像”为主题,联合举办了中国民族学学会影视人类学分会第十三届年会。此次年会从“面向未来”的视角出发,分“新时代影视人类学的学科理论建设”“影视人类学的新视野”“影视人类学的新实践与新影像”“纪念中国影视人类学的卓越前辈”四个板块展开了多学科、多维度、多形态的学术探讨和交流。东华大学服装与艺术设计学院教师、影视人类学分会常务理事陈坚基于社会发展需求和影像志研究的未来学术研究的可能性,提出“服饰人类学”的学科研究方向,并指出服饰影像志研究的必要性。Against the backdrop of solidifying the consciousness of the Chinese national community and constructing a shared future for humanity,to advance the development and interdisciplinary practice of visual anthropology in China,and to further integrate academic research with the needs of social development,the Chinese Society of Ethnology and Donghua University co-hosted the 13th Annual Conference of the Visual Anthropology Branch themed"New Era,New Vision,New Image".Starting from the perspective of“facing the future”,multidisciplinary,multidimensional and multiform academic discussions and exchanges in this annual conference were conducted around four main themes:"Theoretical Construction of Visual Anthropology Discipline in the New Era,New Perspectives in Visual Anthropology,New Practices and Imagery in Visual Anthropology,and Honoring the Distinguished Pioneers of Chinese Visual Anthropology."Based on the needs of social development and the possibilities of future academic research in the Visual Anthropology,Chen Jian,teacher of College of Fashion and Design,Donghua University,the executive director of the Visual Anthropology Branch,proposed the research direction of"Dress Anthropology"and pointing out the necessity of studies on the visual ethnography of dress.
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