作为身体美学的中国武术  

Chinese Martial Arts as Body Aesthetics

作　　者：张再林 Zhang Zailin

机构地区：[1]西北工业大学马克思主义学院,陕西西安710049 [2]西安交通大学人文学院,陕西西安710049

出　　处：《中州学刊》2024年第6期118-125,共8页Academic Journal of Zhongzhou

摘　　要：当代身体美学的异军突起无疑为中国武术之美的深入解读提供了极其重要的契机。身体美学与中国武术之美都具有身心一体的性质,二者都通向了内外互见的显现之美、能受一体的生命之美、寓形上于形下的神圣之美。认识到这一点,不仅能使中国武术之美的深刻机理第一次大白于世,也使中国武术“技进乎道”地得以挺身于“道美合一”的中国文化的真正腹地。这也意味着,正如300多年前的“援武于儒”的颜元所说,中国文化的复兴首先应“近取诸身”地始于中国武术的复兴,而非后儒所说的一味地读书诵经和“袖手谈心性”。The emergence of contemporary body aesthetics undoubtedly provides an extremely important opportunity for the in-depth interpretation of the beauty of Chinese martial arts.This is because,with the shared nature of physical and mental unity,both lead to the beauty of internal and external manifestation,the beauty of life that can be integrated,and the sacred beauty that embodies both the form and beyond the form.Realizing this not only has brought to light the profound mechanism of the beauty of Chinese martial arts for the first time,but also enabled Chinese martial arts to stand firm in the true hinterland of Chinese culture,where the combination of aesthetics and Taoism exists.This also means that,as Yan Yuan,who supported martial arts with Confucianism three hundred years ago,said,the revival of Chinese culture should first start with the revival of Chinese martial arts,rather than just reciting books,reading scriptures,and engaging in heart to heart talks,as later Confucians claimed.

关 键 词：身体美学 中国武术 充内形外 阳禀阴受 下学上达 

分 类 号：B83[哲学宗教—美学]