考古遗址博物馆空间结构的感知影响探析  

An analysis of the perceived impact on the spatial structure of archaeological site museums

作　　者：陈梓欣 曾克明[1,2] 朱迪 Chen Zixin;Zeng Keming;Zhu Di(School of Architecture,Art and Design,Guangzhou Academy of Fin Arts,Guangzhou Guangdong 510006,China;School of Innovative Design,City University of Macao,Macao 999078,China)

机构地区：[1]广州美术学院建筑艺术设计学院,广东广州510006 [2]澳门城市大学创新设计学院,中国澳门999078

出　　处：《山西建筑》2024年第15期6-10,共5页Shanxi Architecture

基　　金：广东省哲学社科项目(编号:GD20CYS05);广东省教育厅研究生培养项目:文博类建筑叙事性研究(编号:6040122010LHKY,6040123092SFJDS)。

摘　　要：以空间句法为方法论对考古遗址博物馆的遗址空间进行可达性与可见性的空间感知探索,以彼得·卒姆托的柯伦巴艺术博物馆、拉斐尔·莫内欧的梅里达国立古罗马艺术博物馆、莫伯治的南越王墓博物院等三座遗址博物馆为主要研究对象,探究其遗址空间的结构对空间感知的影响。结合建筑师对遗址空间的更新理念与空间句法分析成果,证明遗址空间的可达性与可见性对博物馆建筑具有一定连接意义,验证遗址空间对考古遗址博物馆的吸引程度与重要意义。This paper uses spatial syntax as a methodology to explore the spatial perception of accessibility and visibility of the site space of archaeological site museums,and takes three site museums,including Peter Zemto’s Columba Art Museum,Raphael Moneo’s National Museum of Ancient Roman Art in Mérida,and Mauburger’s Museum of the Southern Vietnamese King’s Tomb,as the main objects of study,to explore the influence of the structure of the site space on the spatial perception.Combined with the architect’s renewal concept of the site space and the results of spatial syntax analysis,it proves that the accessibility and visibility of the site space has a certain connecting significance to the museum building,and verifies the attractiveness and importance of the site space to the archaeological site museums.

关 键 词：考古遗址博物馆 遗址空间 可见性 可达性 空间感知 

分 类 号：TU242.5[建筑科学—建筑设计及理论]