傅抱石中国画艺术思想探析  

An analysis of Fu Baoshi's artistic thoughts on Chinese painting

作　　者：何月欣 吴卫[1] HE Yuexin;WU Wei(Fine Arts Academy,Hunan Normal University,Changsha,Hunan,410012,China)

机构地区：[1]湖南师范大学美术学院,湖南长沙410012

出　　处：《豫章师范学院学报》2024年第3期19-24,共6页Journal of Yuzhang Normal University

摘　　要：作为中国近现代美术史论家、“新金陵画派”与“新山水画”的领军人物,傅抱石一方面传承历史并坚守民族风格,在作品中融入民族主义,将民族精神要义体现得淋漓尽致;另一方面,坚持中西交融,赴日留学后将西方的绘画技巧与思想主动与中国画相结合。傅抱石紧随时代,对传统的思想笔墨进行创新变革并与时代性相结合,创造出了独具特色的“抱石皴”。傅抱石的理论研究和创作实践,体现出了强烈的民族主义,同时又结合时代进行创新,有助于我们明晰中国画在当代的发展与演化,推动中国画的开拓与创新。As a historian of modern Chinese art and a leading figure of the "New Jinling School" and "New Landscape Painting",Fu Baoshi inherits history and adheres to the national style on the one hand,integrates nationalism into his works,and vividly embodies the essence of the national spirit.On the other hand,he insisted on the integration of China and the West,and took the initiative to combine Western painting techniques and ideas with Chinese painting after studying in Japan.Fu Baoshi keeps up with the times,innovates and changes the traditional ideology and ink and combines it with the times,creating a unique "bouldering".Fu Baoshi's theoretical research and creative practice reflect a strong nationalism,and at the same time,he innovates in combination with the times,which helps us to clarify the development and evolution of Chinese painting in contemporary times,and promote the development and innovation of Chinese painting.

关 键 词：傅抱石 艺术创作思想 民族风格 中西交融 

分 类 号：J212[艺术—美术]