戏剧唱词格律与古典诗词格律之比较  

A Comparison of the Metrical Form in Dramatic Lyrics and that in Classical Poetry

作　　者：许敏云 Xu Minyun(Guangzhou College Commerce,Guangzhou 511363,China)

机构地区：[1]广州商学院,广东广州511363

出　　处：《黑河学院学报》2024年第7期127-130,共4页Journal of Heihe University

基　　金：广州商学院校级质量工程项目“古诗词吟唱教学理论与实践研究”(2022JXGG72)。

摘　　要：在格律形式与内容的表现上,戏剧唱词与古典诗词之间存在着彼此交融而又各具特征的微妙关系,其既涉及诸多相同之处,也在细节上带有明显差别。在戏剧不断呈现多元化发展趋势、传统文化强势复兴的背景下,应科学解析戏剧唱词与古典诗词在格律上的异同点,对比二者的艺术特质、文化价值,深刻把握戏剧的创作规律,参照古典诗词的格律运用手法,着力契合受众的审美、观赏需求,集中突出唱词的独特性、新颖性、变化性,优化现有的剧作演绎策略,实现古典诗词文化传承与戏剧行业的互促共进。In terms of the expression of metrical form and content,there is a subtle relationship between dramatic libretto and classical poetry that blends with each other but has its own characteristics,which involves many similarities,as well as obvious diff erences in details.For the present,the development of drama is showing the diversifi ed trend with strong revival of traditional culture.In the context,we should scientifi cally analyze the similarities and diff erences in rhythm between drama lyrics and classical poetry,compare their respective artistic characteristics and cultural values,and deeply grasp the rules of drama creation,refer to the techniques of applying classical metrical poetry,strive to meet the aesthetic and viewing needs of the audience,focus on highlighting the uniqueness,novelty,and variability of the lyrics,correspondingly optimize the existing drama interpretation strategies,and strive to realize the mutual promotion between the cultural inheritance of classical poetry and the drama industry.

关 键 词：戏剧唱词 古典诗词 诗词格律 

分 类 号：I37[文学—其他各国文学]