论“新理性精神”的审美意涵——钱中文的文艺理论思想再探讨  

On the Aesthetic Connotation of"New Rational Spirit":Re-discussion on Qian Zhongwen's Theory of Literature and Art

作　　者：陈晓明[1] Chen Xiaoming

机构地区：[1]北京大学中文系,北京100871

出　　处：《复印报刊资料（美学）》2023年第2期55-67,共13页Aesthetics

摘　　要：钱中文先生提出的“新理性精神”文论具有中国当代性品格,曾经引起热烈讨论。二十多年过去了,这一理论还有讨论和发掘的价值,那就是在这个理论的难题中梳理其内在逻辑,去阐述理论的内在矛盾关系,使之更具有理论的自洽性,由此也可以解决当代文学理论中始终未被厘清的难题。要在审美的意义上去理解“新理性精神”,也是因为审美的出发点和为着审美的需要,“新理性精神”可以融合感性并形成新的统一体。因此,“审美意涵”构成了“新理性精神”的内在特质,它决定了“新理性精神”具有人文品格、内化的丰富性品格、可共享的交流对话的伦理品格。这充分体现了钱中文对中国当代文艺理论的贡献。The New Rational Spirit literary theory proposed by Qian Zhongwen has the character of Chinese contemporariness and once aroused heated discussions.More than 20 years later,this theory is still worthy of discussion and exploration,that is,to sort out the internal logic in this theory's puzzle,to explain the internal contradictory relation of the theory,and to make it has more theoretical self-consistency,so that it can also solve problems that have not been clarified in contemporary theory of literature and art.This paper argues that we need to understand the New Rational Spirit in the sense of aesthetics,it is not only because the theory starts with aesthetics but also because of the needs of aesthetics,the New Rational Spirit can integrate sensibility and form a new unity.Therefore,'aesthetic connotation"constitutes the inherent characteristics of the New Rational Spirit,which determines that the New Rational Spirit has the character of humanism,the internalized character of abundance,and the ethical character of shared communication and dialogue.In this way,it can also fully reflect the contribution that Qian Zhongwen has made to Chinese contemporary theory of literature and art.

关 键 词：钱中文 新理性精神 审美意涵 感性 人文精神 

分 类 号：I206[文学—中国文学] B83[哲学宗教—美学]