从生活品到商品:海南黎锦手工艺遗产的嬗变研究  

From Necessities to Commodities:The Evolutionary of Handicraft Heritage about Brocade of Li People in Hainan

作　　者：吴兴帜[1] 黄美燕 WU Xingzhi;HUANG Meiyan

机构地区：[1]云南民族大学社会学院,昆明650504 [2]文山学院高等职业技术学院,文山663000

出　　处：《原生态民族文化学刊》2024年第4期63-73,154,155,共13页Journal of Ethnic Culture

基　　金：国家社会科学基金重点项目《滇黔桂传统村落建设聚落文化公园的理论与实践研究》(21AMZ015)。

摘　　要：在传统社会中,手工产品的交换或买卖主体为地方人群或地域人群共同体,呈现出遗产持有者的主体间关系;在消费社会中,以商品形态为主导的手工产品的买卖主体为地方人群共同体和外来消费群体,构建了遗产持有者与消费者的客体间关系。手工艺遗产具象化的生活品与商品既造成了对手工艺遗产认知的混乱,又对手工艺遗产存续产生了误读。从主客位角度去考察抽象化的海南黎锦在不同主体诉求下的具象化形态及其内在逻辑关系,认为手工艺品的生活态与商品态均为手工艺遗产以其所依存的社会场域为基础,以遗产持有者与社会群体需求为动力而形成的形态链,手工艺遗产不同形态的多元一体是其在消费社会中的应然态势。In traditional societies,the exchange or trade of handicraft products is primarily among the local community or regional community groups,reflecting the inter-subjective relationships of the heritage holders.In a consumer society,the trade of handicraft products dominated by commodity form is primarily between the local community and the external consumer groups,establishing an inter-subjective relationship between the heritage holders and the heritage consumers.The tangible everyday necessities and commodities of handicraft heritage have not only caused confusion in the understanding of the heritage but also led to misinterpretations of its preservation.This article studies on the Li brocade in Hainan and examines the abstracted Li brocade from emic and etic perspective in terms of its visualized forms and its internal logic under the demands of different subjects.It is argued that the living and commercial forms of handicrafts are parts of a chain of forms which is formed based on the social field of handicraft heritage in which it is embedded and driven by the needs of its holders and social groups.The pluralism and oneness of different forms of handicraft heritage is a result of complying with a consumer society.

关 键 词：海南黎锦 手工艺 多元主体 消费群体 

分 类 号：C958[社会学—民族学]