基于设计符号学的云南彝族“火”图案语义重构路径研究  

Research on Semantic Reconstruction Path of Yunnan Yi Ethnic Group’s“Fire”Pattern Based on Design Semiotics

作　　者：张桎滢 李皓然 向杰 ZHANG Zhiying;LI Haoran;XIANG Jie(School of Fine Arts,Yunnan Normal University,Kunming Yunnan 650500,P.R.China)

机构地区：[1]云南师范大学美术学院,云南昆明650500

出　　处：《保山学院学报》2024年第4期99-108,共10页JOURNAL OF BAOSHAN UNIVERSITY

摘　　要：当下以云南彝族“火”图案为代表的民族性图案呈现多元化发展趋势,社会发展因素与图案主体之间相互作用影响,但同时它的发展也面临着问题。基于此引入设计符号学的相关理论,分析“火”图案符号化的形成、语义维度、语义重构和对现代传统手工艺的启示,以“视觉呈现—维度表达—打散重构—启示创新”为关键点,从语义维度对“火”图案进行重构,将民族传统文化符号转变为易感知、可接受的载体形式,从浅层、中层和深层提出重构方案,构建新发展模式。重塑“火”图案在当代社会中的价值,用传承和再造的方式,实现“火”图案的传承和发展,最终用符号化的设计思维和设计方法为当代传统手工艺的研究提供思路与方法。Currently,ethnic patterns represented by the“fire”pattern of the Yi ethnic group in Yunnan are showing a trend of diversified development.The factors of social development and the subject of pat⁃terns interact with each other,but at the same time,their development also faces problems.Based on this,relevant theories of design semiotics are introduced to analyze the formation,semantic dimension,semantic reconstruction,and inspiration for modern traditional handicrafts of the symbolization of“fire”patterns.Through“visual presentation-dimensional expression-scattered reconstruction-in⁃spiration innovation”,the“fire”pattern from the semantic dimension was reconstructed.At the same time,traditional ethnic cultural symbols were transformed into easily perceivable and acceptable carrier forms,proposing reconstruction plans from shallow,middle,and deep layers,and constructing new de⁃velopment models.The value of the“fire”pattern in contemporary society was reshaped,and the inheri⁃tance and development of the“fire”pattern were achieved through inheritance and reconstruction.Ulti⁃mately,ideas and methods for the study of contemporary traditional handicrafts were provided by using symbolic design thinking.

关 键 词：设计符号学 彝族“火”图案 语义维度 重构路径 

分 类 号：J12[艺术—艺术理论]