三重空间的对话——贝艾特·福瑞歌剧《紫色的雪》创作研究  

Dialogues in Triple Spaces:A Study on the Composition of Beate Furrer's Opera Violetter Schnee

作　　者：刘思齐 LIU Siqi

机构地区：[1]武汉音乐学院作曲系

出　　处：《中央音乐学院学报》2024年第2期150-164,共15页Journal of The Central Conservatory of Music

摘　　要：贝艾特·福瑞(Beat Furrer,1954-)是奥地利当代著名作曲家,其创作取得了瞩目成就,歌剧《法玛》(Fama)2006年获得威尼斯双年展“金狮奖”,2014年获“奥地利国家大奖”,2018年获“恩斯特·冯·西门子音乐大奖”,2019年他的第八部歌剧《紫色的雪》(Violetter Schnee)在德国柏林国家歌剧院一经首演,即获得了国内外学者们的广泛关注。文章从对这部歌剧中的三重空间观念、三重空间的对话进行详细分析,展现作曲家的创作路径,以及在这部歌剧创作过程中对自我的创新与突破,以期对欧洲现代歌剧研究和国内歌剧的创作带来新的思考。Austrian composer Beat Furrer is one of Europe's renowned contemporary composers and has achieved great success with his works.His opera Fama won the Golden Lion Award in 2006,the Austrian State Prize in 2014,the Ernst von Siemens Music Prize in 2018.The premiere of his eighth opera,Violetter Schnee at the Staatsoper Unter den Linden in 2019 has received wide attention from scholars at home and abroad and has made remarkable achievements.This study analyses this work in detail from the concept of triple spaces and the dialogues of triple spaces in this opera,with a view to demonstrate the composer's path of creativity,innovations and breakthroughs when composing this opera,and to bringing new perspectives to the study of European contemporary opera and the creation of domestic opera.

关 键 词：贝艾特·福瑞 《紫色的雪》 三重空间 哀伤的七个阶段 彼得·勃鲁盖尔 《雪中猎人》 卢克莱修 《物性论》 

分 类 号：J614[艺术—音乐]