追索“感情的本来面目”:中国现代文论知识生成的一种路径——以姜亮夫《文学概论讲述》为例  

Exploring the“Original Essence of Emotions”:A Path to the Knowledge Generation in Modern Chinese Literature

作　　者：黄凤凤[1] Huang Fengfeng(College of Chinese Language and Literature,Wuhan University)

机构地区：[1]武汉大学文学院,湖北省武汉市430072

出　　处：《文艺理论研究》2024年第2期74-82,共9页Theoretical Studies in Literature and Art

摘　　要：姜亮夫在1930—1933年出版的《文学概论讲述》是中国现代文学理论早期教材的代表之一,集中体现了通过追索“感情的本来面目”来转化传统文论资源和生成现代文论知识这一路径。在这本教材中,姜亮夫明确了“性”与“情”的分野,使“情感”这一理论术语更具本土内涵和时代特色,并以此为基础,从主观因素和可感形式角度探讨传统经典中“感情的本来面目”。而后,姜亮夫以追索文学情感的本质为由,关注传统文体中的“民间源头”与“南方属性”,尝试进行文学传统的“再发明”,促进新的文学知识的生成。这种将“古典文学经验”转化为“现代知性形式”的做法,有利于激活本民族文学传统,帮助建设文学理论学科。Jiang Liangfu's Introduction to Literature,published between 1930 and 1933,emerges as one of the earliest modern Chinese textbooks dedicated to literary theory.Its primary focus lies in the conversion of traditional literary resources into the creation of modern literary knowledge through the quest for the“original essence of emotions.”Within this textbook,Jiang Liangfu distinguishes between“human nature”and“emotion”,providing a localized and contemporary connotation to the theoretical concept of“emotion.”He utilizes this concept as a foundation for delving into the“original essence of emotions”present in the subjective factors and perceptible forms found within of classic works.Jiang Liangfu subsequently traces the core of literary emotions,centering his attention on the“folk origins”and“southern attributes”of traditional literary genres.His goal is to“reinvent”the literary tradition and stimulate the creation of new literary knowledge.This approach,which transforms classical literary experiences into modern intellectual forms,proves beneficial in reinvigorating our own literary tradition and advancing the discipline of literary theory.

关 键 词：文学概论 情感 形式 文学传统 

分 类 号：I206.6[文学—中国文学]