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作 者:王艳[1] 宋玲 邹伟华[1] WANG Yan;SONG Ling;ZOU Weihua(School of Furniture and Art Design,Central South University of Forestry and Technology,Changsha,Hunan,4100040)
机构地区:[1]中南林业科技大学家居与艺术设计学院,湖南长沙410004
出 处:《湖南包装》2024年第3期52-55,共4页
基 金:湖南省哲学社会科学基金项目(18YBA457)。
摘 要:自上海开埠以来,在西方生活方式的影响下,海派家具创新性地融入西洋家具的功能、风格和装饰。相比于明式家具,海派家具的腿部造型吸纳了欧洲洛可可、巴洛克的装饰风格,引进了机械化的生产方式,具有了中西合璧的特色。文章首先对明式家具与海派家具的腿部造型进行比较分析,从符号学的视角对海派家具腿部造型进行解读;其次从材料、技术、文化3个维度对影响海派家具的腿部造型因素进行了探讨;最后运用黄金比例设计法则探索点、线、面的造型表达,对海派家具的腿形进行再设计,以期能对现代家具的腿部造型设计提供一些参考。Since the opening of Shanghai,under the influence of Western lifestyle,Shanghai furniture has innovatively integrated the function,style and decoration of Western furniture.Compared with Ming furniture,the leg shape of Shanghai furniture has absorbed the decorative style of European Rococo and Baroque,and introduced the mechanized production method,which has the characteristics of combining Chinese and Western.Firstly,the author compares and analyzes the leg modeling of Ming style furniture and Shanghai style furniture,and interprets the leg modeling of Shanghai style furniture from the semiotic perspective.Secondly,from the three dimensions of material,technology and culture,the factors affecting the leg shape of Shanghai style furniture are discussed.Finally,using the golden ratio design rule to explore the point,line and surface shape expression,to redesign the leg shape of Shanghai style furniture,in order to provide some references for the leg shape design of modern furniture.
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