基于中国古代自然审美方法的“潇湘八景”审美意境生成及特征解析  

Analysis of Aesthetic Context & Characteristics of the “Eight Scenes of Xiao Xiang” based on the Theory of Natural Aesthetics in Ancient China

作　　者：王泽飞 王贞[1] 程曦 万敏[1] Wang Zefei;Wang Zhen;Cheng Xi;Wan Min(School of Architecture and Urban Planning Hust,Huazhong University of Science and Technology,wuhan 430074,China)

机构地区：[1]华中科技大学建筑与城市规划学院,武汉430074

出　　处：《艺术与设计（理论版）》2024年第6期112-115,共4页Art and Design

基　　金：国家自然科学基金资助项目“基于湖河网络八景的区域风景特色及其保护传承研究——以长江中游为例”项目批准号:52178038。

摘　　要：近年来我国的八景文化景观研究在建筑科学与人文艺术学领域涌现了不少优秀成果,但对八景审美意境的研究却较为薄弱。文章将中国古代自然审美方法作为理论工具,以“潇湘八景”为例来剖析我国传统八景独特的审美意境,研究工作主要涉及:归纳审美意境之构成要素;探析审美意境之生成规律;总结审美意境之内涵特征。文章认为,中国古代自然审美方法可以有效挖掘八景文化的美感特征,为我国八景文化景观的保护与发展提供有效的研究工具。In the past decades, the studies of the traditional Chinese Eight Scenes have produced amounts of outputs in the fields of architectural science, humanities and arts, but the research on the aesthetic context of the Eight Sceneries is rather weak. This article employs the Natural Aesthetics from ancient Chinese philosophies as a theoretical tool, and takes the "Eight Scenes of Xiao-Xiang" as an example to analyze the unique aesthetic context of traditional Chinese Eight-scenes phenomenon: summarize their elements;explore the creation laws;and analysis the connotations. The authors believe that the Natural Aesthetics of ancient China can effectively discover the aesthetic characteristics of the Eight Scenes and provide a valid research tool for the conservation of the Chinese Eight-Scenic Cultural Landscapes.

关 键 词：审美意境 文化景观 中国古代自然审美方法 潇湘八景 

分 类 号：J01[艺术—艺术理论]