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作 者:陈荷佳 高鹏[1] 徐腾飞 Chen Hejia;Gao Peng;Xu Tengfei(College of Future Design,Bejing Normal University,Zhuhai 519087,China)
机构地区:[1]北京师范大学未来设计学院,广东珠海519087
出 处:《艺术与设计(理论版)》2024年第5期111-113,共3页Art and Design
摘 要:传统艺术中的玻璃镶嵌画从中世纪流传至今受到艺术领域的欢迎与喜爱。随着现代艺术的发展与审美的变迁,在保留自身艺术风格的前提下,玻璃镶嵌画逐渐不再拘泥于宗教题材的限制,更多与各个地方的当代人文主题相结合,涌现出了大量基于大众审美的作品。跨学科背景下,技术与传统玻璃镶嵌画的碰撞扩大了玻璃镶嵌画的创作思路与空间。文章结合传统艺术与当下数字化融合发展趋势,对如何赋予玻璃镶嵌画创新思维与形式进行了讨论与实践。Glass Mosaic in traditional art has been popular in the art field since the Middle Ages.With the development of modern art and aesthetic changes,under the premise of retaining its own artistic style,glass Mosaic paintings gradually no longer adhere to the restrictions of religious themes,but more combined with contemporary humanistic themes in various places,and a large number of works based on public aesthetic emerged.Under the interdisciplinary background,the collision between technology and traditional glass Mosaic expands the creative ideas and space of glass Mosaic.This paper discusses and practices how to endow glass Mosaic painting with innovative thinking and form based on the integration of traditional art and current digital development trend.
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