Analyzing the Adaptation of Rebecca from the Novel to the Film in Light of the Black-and-White  

作　　者：Jing Wang 

机构地区：[1]Kansas International School,Zhengzhou Sias University,Xinzheng,Henan,451150,China

出　　处：《Review of Educational Theory》2024年第1期20-26,共7页教育理论综述（英文）

基　　金：The project name is“The Center for Teaching and Research of Ideology and Politics in English Courses of Sino-Foreign Cooperative Education Programs([2022]48)+English Course”.

摘　　要：Classical Chinese aesthetics is based on Chinese philosophy.The characteristic of classical Chinese aesthetics regards“artistic conception”as one of the basic aesthetic categories.Chinese art speaks highly of the charm of the black-and-white.During the adaptation,there is the same beauty in the black-and-white photography and the“color without color”of Chinese paintings.The“artistic conception”is similar between them from the aesthetic perspective.Therefore,the unique“artistic conception”of the novel should be mastered,if the adapter aims to retain the“soul”of it.In other words,film adaptation not only considers“similarity in form”,but also draws much attention to“similarity in spirit”.The latter is the essence of film adaptation.

关 键 词：REBECCA the black-and white NOVEL FILM Artistic conception 

分 类 号：TP3[自动化与计算机技术—计算机科学与技术]