“有声的我们”:以接力朗读构筑集体身体记忆  

"Vocal We":Constructing Collective Body Memory through the Reading-Aloud Relay

作　　者：黄顺铭[1] 陈昭博 HUANG Shun-ming;CHEN Zhao-bo

机构地区：[1]四川大学文学与新闻学院,四川成都610207

出　　处：《新闻大学》2024年第5期98-115,121,共19页Journalism Research

基　　金：国家社科基金项目“南京大屠杀纪念馆的集体记忆工程研究”(18XXW001)。

摘　　要：声音是记忆研究中一个长期被忽视的维度。由侵华日军南京大屠杀遇难同胞纪念馆组织的一次以声音为媒介的南京大屠杀记忆实践——114位男女朗读者接力朗读《魏特琳日记》(中译本),建构出了一幅独特的声音、节奏、集体身体记忆的景象。接力朗读中既存在对节奏的形式化建构,也存在独特的音调节奏。同时,接力朗读中蕴含多种形式的身体节奏,并且这些节奏也是身份的、情感的和感官的。从朗读的角度考察南京大屠杀记忆,有助于深化我们对“声音”“身体”与“集体记忆”之间关系的理解。Sound is a long-neglected dimension in memory studies.A mnemonic practice of the Nanjing Massacre organized by the Memorial Hall of the Victims of the Nanjing Massacre by the Japanese Invaders-114 men and women read aloud the Vautrin's Diary in relays,therefore constructing a distinct picture of sound,rhythm,and collective body memory.There is a formalized construction of rhythm and a unique tonal rhythm in the reading-aloud relay.At the same time,the reading-aloud relay contains multiple forms of bodily rhythms,and these rhythms are also identity,emotion,and sensory.Examining the Nanjing Massacre memory from the perspective of reading-aloud will help deepen our understanding of the relationship between"sound","body",and"collective memory".

关 键 词：南京大屠杀 《魏特琳日记》 朗读 节奏 集体身体记忆 

分 类 号：G210[文化科学—新闻学] J909[艺术—电影电视艺术]