乡愁、父名、对称——解读阮义忠摄影作品《想念亚美尼亚》的生命经验  

Nostalgia,Father’s Name,Symmetry-Interpreting the Life Experience of Ruan Yizhong’s Photographic Work“Missing Armenia”

作　　者：吴选宏 Xuanhong Wu(School of Philosophy,Guizhou University,Guiyang Guizhou)

机构地区：[1]贵州大学哲学学院,贵州贵阳

出　　处：《国学（汉斯）》2024年第3期391-402,共12页Chinese Traditional Culture

摘　　要：论文围绕阮义忠《想念亚美尼亚》系列摄影作品艺术现象的陈述,带来了三个需要追问的美学问题,分别是:存在于此摄影作品中的乡愁是什么?阮义忠前往亚美尼亚的创作动机到底是什么?此摄影作品中的生命是如何延续的?就此,文章认为弥漫在作品中的乡愁气质是一种不存在的存在;阮先生创作的动机是“父亲的姓名”;作品的生命之河流淌在纯然视觉不可见的对称平衡之间。阮义忠由这一系列作品发现了自身,发现了人类,发现了文明。The paper around Ruan Yizhong’s“Miss Armenia”series of photographic works of art phenomenon statement,brought three aesthetic questions that need to be questioned,respectively:What is the homesickness that exists in this photography work? What is the creative motivation behind Ruan Yizhong's trip to Armenia? How does life continue in this photography work? In this regard, the article believes that diffuse in the works of nostalgia temperament is a non-existent existence;Mr. Ruan creation motivation is the “name of the father”;the work of the river of life flowing in purely visual invisible between the symmetrical balance. Ruan Yizhong discovered himself, hu-manity, and civilization through this series of works.

关 键 词：摄影 乡愁 动机 生命 文明 

分 类 号：G63[文化科学—教育学]