《狂鼓史》中的判官形象兼及该剧的多重视角与对话特征  

On the Image of Judges in"The History of the Mad Drum"and the Multiple Perspectives and Dialogue Features of the Play

作　　者：刘慧婵 李亦辉[1] LIU Huichan;LI Yihui(School of Literature,Heilongjiang University,Harbin Heilongjiang 150080,China)

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《江苏科技大学学报（社会科学版）》2024年第2期82-87,共6页Journal of Jiangsu University of Science and Technology(Social Science Edition)

基　　金：国家社科基金后期资助项目“中国古代戏曲曲词观研究”(20FZWB007)。

摘　　要：判官察幽是徐渭《狂鼓史》杂剧中一个重要的功能性人物,其在结构布局、人物塑造、揭示主旨等方面都发挥着重要作用。作者安排判官察幽引出故事,进而主导戏中戏的编排和评判,同时又让其在戏中戏里担任宾客角色,因而他既是全剧隐形的总导演,又兼具判官与宾客两种身份。其双重身份赋予其双重视角与声音,剧作的精微内蕴经其提点而尽显无遗,并与全剧的主要角色与主导观念相辅相成、相映成趣,进一步彰显了该剧的对话性特征与复调色彩。Judge Cha You is an important functional character in Xu Wei′s The History of the Mad Drum,who plays a key role in structural layout,characterization and revealing the theme.The author arranges Judge Cha You to initiate the story,leading the arrangement and evaluation of the play-within-a-play.At the same time,he is designed to play the role of the guest in the play-within-a-play.Therefore,he is not only the invisible chief director of the whole play,but also owns a dual-identity as a judge and a guest simultaneously.This dual-identity endows him with a dual-perspective and a dual-voice.The subtle connotations of the play are fully revealed through his comments,and complement the main characters and dominant concepts of the entire play,creating a sense of humor,which further highlights the dialogue characteristics and polyphony color of the play.

关 键 词：徐渭 《狂鼓史》 察幽 视角 对话 

分 类 号：I053[文学—文学理论] I207.37