宫崎骏动画的肯定美学书写  

The Positive Aesthetics Implication of Hayao Miyazaki s Animation

作　　者：周思钊 刘楷 ZHOU Sizhao;LIU Kai(School of Literature and Journalism,Qingdao University,Qingdao,Shandong 266071,China)

机构地区：[1]青岛大学文学与新闻传播学院,山东青岛266071

出　　处：《日本问题研究》2024年第3期62-71,共10页Japanese Research

基　　金：国家社科基金重大项目“西方自然美学通史”(19ZDA044)。

摘　　要：从当代环境美学视角看,日本动画大师宫崎骏的作品流露强烈的肯定美学意蕴,折射日本当代艺术家对自然美学的新思索。在审美价值上,宫崎骏动画呈现自然复魅的后现代主义理念,以一种自然有灵论视角对待自然,强调所有自然都具有内在价值。在审美方式上,宫崎骏动画建立在手绘基础上,每一帧自然风景镜头都经过绘画手法美化,同时注重营造意境,对自然进行诗意化处理。在日本传统“侘寂”美学观念影响下,宫崎骏动画积极欣赏不完美中的美。在伦理诉求上,宫崎骏动画反思现代工业文明对自然的破坏,推崇生态智慧,追求人与自然和谐共生之境,与肯定美学伦理诉求一致。From the perspective of contemporary environmental aesthetics,the works of Japanese animation master Hayao Miyazaki reveal a strong positive aesthetics implication,reflecting the new thinking of Japanese contemporary artists on natural aesthetics.In terms of its aesthetic value,Miyazaki Hayao s animation presents the postmodernism concept of natural reenchantment,treating nature from animism,emphasizing that all nature has intrinsic value.In the aesthetic way,Miyazaki s animation bases on hand painting,and each lens of the natural landscape is beautified by painting techniques,and simultaneously emphasizing the creation of artistic conception and poeticizing nature.Under the influence of the traditional Japanese aesthetic concept of“wabi-sabi”,Hayao Miyazaki s animation actively appreciates the imperfection.In terms of the ethical appeal,Miyazaki s animation reflects on the destruction of nature by modern industrial civilization,advocates ecological wisdom,and pursues a harmonious coexistence between man and nature,which is consistent with positive aesthetics ethical appeal.

关 键 词：宫崎骏 肯定美学 自然复魅 自然的美化 

分 类 号：I01[文学—文学理论]