天气审美作为学科——东方美学构建的别一种思路  

Weather Aesthetics as a Discipline-Another Way of Constructing Oriental Aesthetics

作　　者：刘金华 LIU Jinhua(College of Liberal Arts,Nanjing University of Information Science&Technology,Nanjing 210044,China)

机构地区：[1]南京信息工程大学文学院,江苏南京210044

出　　处：《美育学刊》2024年第4期27-35,共9页Journal of Aesthetic Education

基　　金：国家社会科学基金重点项目“中国近现代宋诗学文献整理与研究”(21AZW008)的研究成果。

摘　　要：在天气美学理论中,斋藤百合子以日常美学理论的建设为前提,提出并论述了将天气作为审美客体看待的必要性和可能性。这种联结科学与审美、艺术与非艺术以及艺术、生态、环境与身体美学等不同领域的美学理论,在客观上体现了一种融通东西审美体系比较的新思路。当然,要想精准定位“暴风雨里的樱花香”,辨析其独特的审美意义与存在价值,这种尝试只是开始,要进行天气审美活动,还需要该理论在审美领域界定、研究方法与方式等层面探讨的进一步深入。On the premise of the construction of daily aesthetic theory,Saito Yuriko proposed and discussed the necessity and possibility of treating the weather as an aesthetic object.This kind of attempt to communicate science and aesthetics,art and non-art,Oriental and Western modern aesthetics,as well as art,ecology,environment and body aesthetics and other research fields,objectively embodies a comprehensive structure vision to build the weather esthetic system.However,in order to accurately locate the“cherry fragrance in the storm”,to distinguish its unique aesthetic significance and the existence of value,we still need to explore the concept of conceptual definition,theoretical basis,research methods and ways to make further studies.

关 键 词：天气美学 气象文化 审美理论 

分 类 号：B83-069[哲学宗教—美学]