论《樵歌》美学境界的演变  

On the Evolution of the Aesthetic Realm of Qiaoge

作　　者：刘天禾 Liu Tian-he(Department of Chinese,Nanyang Technological University,Singapore 639798)

机构地区：[1]新加坡南洋理工大学中文系,新加坡639798

出　　处：《徐州工程学院学报（社会科学版）》2024年第3期59-66,共8页Journal of Xuzhou Institute of Technology：Social Sciences Edition

摘　　要：朱敦儒的《樵歌》,从某种意义上说就是其自传。词人一生三个时期的境遇遭际及思想情感流变贯穿其中,相应地形成美学境界的三重面向。从美学的整体视角探寻其演变历程,即对朱敦儒早年词作的自由美、中年词作的悲剧美、晚年词作的闲适美做专门论述,进一步挖掘《樵歌》丰富的审美意蕴,彰显其宏阔的美学色彩。将朱敦儒生命的三个时期、三种心境与三重审美境界联系起来,使诗美与人的审美化生存相互关联。Zhu Dunru's Qiaoge is,in a sense,his autobiography.The three periods of his life experience and the changes in his thoughts and emotions run through it,thus forming a triple aspect of the aesthetic realm accordingly.From the perspective of aesthetics as a whole,the evolution of Zhu's works is explored,i.e.the beauty of freedom in his youthful works,the beauty of tragedy in his middle-aged works,and the beauty of idleness in his later works,so as to further excavate the rich aesthetic connotations of Qiaoge,and to highlight its grand aesthetic colors.The three periods of Zhu's life and three states of his mind are linked with the threefold aesthetic realm,making the poetic beauty interrelated with the aestheticised human existence.

关 键 词：朱敦儒 《樵歌》 美学 演变 

分 类 号：I207.23[文学—中国文学]