感性学与辩证思维视域下中国歌剧形象塑造思维新探  

A New Aesthetics and Dialectic Exploration of Chinese Opera Figure Building Thinking

作　　者：邱桂香[1] Qiu Guixiang

机构地区：[1]福建师范大学中国特色西方音乐研究中心,福州350007

出　　处：《北方音乐》2024年第3期25-34,共10页Journal of the Northern Music

基　　金：福建省社会科学规划项目“中国民族歌剧的人民性研究”(课题编号:FZ2021B173)阶段性成果。

摘　　要：感性学包含着审美与审丑两个带有辩证意味的层面。文章从感性学与艺术辩证法视角出发,重思歌剧形象美学范式/类别,揭示部分中国歌剧形象塑造中存在的单向度思维倾向,结合西方经典歌剧形象塑造经验,提出歌剧形象塑造辩证法理念,凝练歌剧形象塑造的一体多元原则,讨论歌剧形象塑造得当与否的评价尺度,探索通过具有辩证思维特征的博弈思维和阴阳思维塑造一体多元歌剧形象的戏剧-音乐达成路径,对歌剧形象塑造中的审美与审丑问题进行辨析,并讨论与此相关的音乐风格问题。Aesthetics contains dialectical meanings,i.e.judgement of beauty and ugly.So,with the view of aesthetics and artistic dialectics and upon the survey of the aesthetic paradigm or cat-egory of Chinese opera image,the article reveals somewhat tendency of unidirectional thinking of its shaping.Combined of the experience of western classic opera creation,the author puts forward the idea of dialectical method and condenses the principle of shaping the diversified face in a single op-era image,furthermore,considers the evaluation standard for the proper image building.Upon the exploration of the path of theater-music achievement that shaping the diversified face in a single op-era image through the dialectical game and Yin-yang thinking,the article discriminates the beauty and ugly in aesthetic and discusses the related music style issues of the opera figure building.

关 键 词：中国歌剧 歌剧形象 思维 感性学 一体多元 辩证思维 

分 类 号：J614.92[艺术—音乐]