以图述史——中华民族多元一体视域下的筝乐文化研究  

Narrating History with Image:A Culture Study of Zheng Music in the Perspective of the Integration of Chinese Pluralistic Nations

作　　者：杨佳 Yang Jia

机构地区：[1]中国音乐学院《中国音乐》,北京100101

出　　处：《北方音乐》2024年第3期75-93,共19页Journal of the Northern Music

摘　　要：本文通过对筝乐图像的梳理,以单件乐器为切入点,从中华民族多元一体的文化视角,运用图像学、史学及民族音乐学的研究方法,探讨图像背后的筝乐文化现象。关注筝乐历时性传承发展过程,同时又关注筝乐共时存在的形态现象,梳理筝在中华民族多元一体的文化格局中相互吸收、互补创新的文化变迁脉络,为音乐图像志、乐器志研究以及跨学科建设提供理论依据与个案支撑。Utilizing the research methods of iconography,historiography and ethnomusicology,and taking a typical music instrument Zheng based on combing its images as entry,the article aimed at to discuss its cultural phenomenon from the cultural perspective of the integration of Chinese plural-istic nations.Focused on the diachronic development of Zheng,at meanwhile its synchronous phe-nomenon that manifested on the types and forms,the author logically sorted out the changes of the Zheng which upon the absorbed and complemented mutually in the fundament of the pluralistic inte-gration progress,so as to provide support as theoretical basis and case study for the research of mu-sic iconography,musical instrumentation as well as the construction of interdisciplinarity.

关 键 词：筝 多元一体 图像 

分 类 号：J609.2[艺术—音乐]