对话堂吉诃德——布尔加科夫《大师与-玛格丽特》中的魔鬼幻象与艺术真理  

Dialogue with Don Quixote——Devilish Vision and Artistic Truth in Bulgakov's The Master and Margarita

作　　者：姚学松 Yao Xuesong

机构地区：[1]南京大学文学院

出　　处：《俄罗斯文艺》2024年第3期71-83,共13页Russian Literature & Arts

摘　　要：在布尔加科夫的《大师与玛格丽特》中,困扰莫斯科人的魔鬼与《堂吉诃德》中迷惑骑士的魔鬼形成了潜在的对话。魔鬼的假设性存在颠覆了现实与虚构、真实与幻想的关系,挫败了莫斯科人和堂吉诃德以单一叙事指导社会实践的尝试。两部小说美学上的统一性在于,小说中的艺术家们都因其功能——制造现实——结合在一起,而魔鬼的作用就在于揭露这一创作理念的潜在危机。对于真正的艺术家而言,艺术及其价值就在于打破日常生活的伪饰,直面现实生活的真实状态。布尔加科夫通过颠覆虚构与真实的认识论和本体论范畴,指明了通达艺术真理之路。In Bulgakov's The Master and Margarita,the Devil who haunts the Muscovites forms a potential dialogue with the Devil who bewitches the knight in Don Quixote.The hypothetical presence of the Devil subverts the relationship between reality and fiction,truth and fantasy,and thwarts both the Muscovites'and Don Quixote's attempts to direct social practice with a single narrative.The aesthetic unity of the two novels lies in the fact that the artists in the novels are united by their function producing reality,and the Devil's role is to expose the potential crisis of this creative concept.For the true artist,art and its value lie in breaking down the artifice of mundane life and confronting the true state of real life.By reversing the epistemological and ontological categories of fiction and reality,Bulgakov shows the way to the truth of art.

关 键 词：布尔加科夫 《堂吉诃德》 《大师与玛格丽特》 魔鬼 艺术真理 

分 类 号：I512.074[文学—其他各国文学] J733.4[艺术—舞蹈]