乡村的诗性回望及其审美世界的构建——以汪曾祺的创作为例  

The Construction of Aesthetic Utopia in the Countryside:Taking Wang Zengqi's Creation as an Example

作　　者：孙琦[1] 孟博然 SUN Qi;MENG Bo-ran(Heilongjiang University,Harbin,Heilongjiang,China,150000;Heilongjiang Open University,Harbin,Heilongjiang,China,150000)

机构地区：[1]黑龙江大学,黑龙江哈尔滨150000 [2]黑龙江开放大学,黑龙江哈尔滨150000

出　　处：《广东开放大学学报》2024年第3期68-72,共5页JOURNAL OF GUANGDONG OPEN UNIVERSITY

基　　金：黑龙江大学研究生创新项目论中国当代文学中的乡村乌托邦想象(YJSCX2022-009HLJU);省教育厅教改项目新文科背景下民办本科院校汉语言文学专业创新实践型人才培养探索研究(SJGY20220679);国家社科基金一般项目“新时代乡村叙事研究”(22BZW165)。

摘　　要：中国作家笔下的乡村始终呈现出植根于中国传统文化形态的“桃源”想象。自“五四”以降,作家们对乡村的诗性回望往往表现为“向后看”的乌托邦想象。对乡土的依恋与怀念以及由此产生的“怀乡病”成为构建其审美乌托邦的基础。新时期以来,汪曾祺的创作具有典型意义。他以高邮构建乡村审美乌托邦,不断回望故乡中的人事与风情,作品洋溢着浓郁的“向后看”的格调。同时,其文体意识、语言风格、思想意蕴不仅达成了当下对文学创作的“再启蒙”,也无形中成为当代乡村想象与审美构建的助推剂。The countryside in Chinese literature has always been envisioned as the"Peach Garden,"a concept deeply rooted in traditional Chinese culture.Since the May Fourth Movement,writers'poetic reflections on the countryside often embody a Utopian imagination of"looking backward."The attachment to and nostalgia for rural life,along with the ensuing"homesickness,"have formed the foundation for creating their aesthetic Utopias.In the modern era,Wang Zeng-qi's works hold particular significance.He used Gaoyou to construct an aesthetic Utopia in the countryside,continually refl ecting on the people and customs of his hometown,imbuing his work with a strong sense of retrospection.Simultaneously,his stylistic awareness,linguistic style,and ideological implications not only contribute to the"re-enlightenment"of contemporary literary creation but also lay the groundwork for the contemporary construction of rural imagination and aesthetic Utopias.

关 键 词：乡村叙事 乌托邦 审美 汪曾祺 

分 类 号：I207.4[文学—中国文学]