多模态视域下影视剧对宋代空间色彩美学的还原与转译——以《清平乐》为例  

Reduction and Translation of Song Dynasty Spatial Color Aesthetics in Film and Television Drama under Multimodal Perspective——Taking"Serenade of Peaceful Joy"as an Example

作　　者：戴碧奇 陈硕 Dai Biqi;Chen Shuo(Sichuan Fine Arts Institute;Yunnan University)

机构地区：[1]四川美术学院 [2]云南大学

出　　处：《色彩》2024年第5期80-82,共3页Fashion Color

摘　　要：影视剧被视作多模态话语的表征形态之一,色彩为视觉符号隐喻最显著的手段。本文以多模态语篇为理论基础,阐释电视剧《清平乐》对宋代文化环境以及色彩空间美学的追溯与研究,对比影视剧《清平乐》中所呈现的建筑空间、室内陈设家居等空间色彩美学体现。探讨多模态隐喻视域下宋代空间色彩美学还原与转译,即空间色彩美学蕴含的传统风骨及精神气韵。Film and television dramas are regarded as one of the representational forms of multimodal discourse,and color is the most significant means of visual symbols and metaphors.Taking multimodal discourse as the theoretical basis,this paper explains that the TV drama"Serenade of Peaceful Joy"traces and researches the original cultural context of the Song Dynasty and the aesthetics of color space,and compares the aesthetics of spatial color such as architectural space and indoor furnishings and home furnishings presented in the movie and TV drama"Serenade of Peaceful Joy".It explores the reduction and translation of Song Dynasty spatial color aesthetics in the field of multimodal metaphor,i.e.,the traditional style and spirit of spatial color aesthetics.

关 键 词：文化遗产 影视剧 宋代 色彩空间美学 还原与转移 

分 类 号：J905[艺术—电影电视艺术] J525[历史地理—历史学] K244[历史地理—中国史] TU-80[建筑科学—建筑设计及理论]