中国式科幻电影的伦理立场  

The Ethical Stance of Chinese-Style Science Fiction Films

作　　者：宿傲男 袁智忠[1] SU Aonan;YUAN Zhizhong(School of Journalism and Communication,Southwest University,Beibei Chongqing 400715,China)

机构地区：[1]西南大学新闻传媒学院,重庆北碚400715

出　　处：《重庆文理学院学报（社会科学版）》2024年第4期115-122,共8页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

基　　金：国家社会科学基金艺术学一般项目“改革开放以来主流电影的道德伦理思想研究”(20BC033);西南大学中央高校基本科研业务费专项资金项目创新团队项目“中国电影伦理思想研究”(SWU2009111)。

摘　　要：自2019年电影《流浪地球》上映以来,中国开启了科幻电影蓬勃发展的元年。不同于西方科幻电影,中国式科幻电影不仅将中国式审美情感与伦理立场纳入科技幻想当中,而且凝聚着中国的民族想象与文化记忆。在科技景观的背后进行着深刻的伦理思辨,用独特的中国方式书写着宇宙存亡、人类灾难的故事,同时也表达出人类全体共通的情感和伦理价值观。中国式科幻电影展现宏大宇宙题材的同时,注重在其中融入中国传统文化和道德伦理观念。电影中常常呈现家国情怀,强调人类命运共同体的理念,彰显出中国人对于守护家园和延续人类文明的渴望。Since the release of the movie The Wandering Earth in 2019,China has opened the first year of vigorous development of science fiction films.Different from Western science fiction movies,Chinese science fiction films not only incorporate Chinese aesthetic emotions and ethical positions into scientific and technological fantasy,but also embody China's national imagination and cultural memory.Behind the scientific and technological landscape,profound ethical speculation is carried out,and the story of the survival of the universe and human disaster is written in a unique Chinese way,and at the same time,it also expresses the emotions and ethical values common to all human beings,While presenting a grand cosmic theme,it pays attention to integration of traditional Chinese culture and moral and ethical concepts.The film often presents the feelings of home and country,emphasizes the concept of a community with a shared future for mankind,and highlights Chinese's desire for the continuation of home and human civilization.

关 键 词：科幻电影 伦理立场 个体伦理 家国伦理 共同体伦理 

分 类 号：J974.3[艺术—电影电视艺术]