清代宫廷交椅鉴赏  

Appreciation of the Qing Dynasty's Court Folding Rund-back Armchair

作　　者：刘琳琳 周京南[1] LIU Lin-lin;ZHOU Jing-nan(The Palace Museum,Beijing 100009,P.R.China)

机构地区：[1]故宫博物院,北京100009

出　　处：《林产工业》2024年第7期78-83,共6页China Forest Products Industry

基　　金：湖北省教育厅科学技术研究计划指导性项目(B2016442);故宫博物院“英才计划”;北京故宫文物保护基金会学术故宫万科公益基金会专项经费资助。

摘　　要：交椅由胡床演变而来,是古人精湛工艺及文化思想的集合体,因其便携性,促使我国古代起居方式变得更为灵活多样,特别是在行军、出游等活动中。自宋代以来,交椅在营事活动中逐渐发展成为身份地位的象征,其装饰外观受礼制约束。本文通过梳理不同朝代相关交椅的古籍、绘画等资料,以故宫博物院馆藏3把清代交椅实物为例,进行鉴赏及历史文化挖掘,解读交椅在装饰中的制度性、实用性与艺术性,以期让交椅的设计者与使用者更好地了解其所承载的文化内涵。The folding round-back armchair(hereinafter referred to as the F-chair)evolved from the Hu bed,which epitomized the intricate craftsmanship and cultural ideologies of the ancients.Because of its portability,it encouraged a more flexible way of living in ancient China,particularly during activities such as military campaigns and travel.From the Song Dynasty onwards,the F-chair gradually transformed into a symbol of status and identity during ceremonial events,with its decorative appearance adhering to ritual constraints.This article sorted through various historical sources,including ancient texts and paintings,from different dynasties to appreciate and explore the cultural and historical significance of F-chairs.By complementing this research with an analysis of 3 F-chairs artifacts from the collection of the Palace Museum,the study interpreted the institutional,aesthetic,and utilitarian elements in F-chairs,aiming to provide designers and users with a deeper understanding of the cultural connotations embedded within the F-chairs.

关 键 词：交椅 栲栳样 历史文化 礼制研究 家具装饰 

分 类 号：TS664[轻工技术与工程] TS396