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作 者:张振涛[1] Zhang Zhen Tao
机构地区:[1]南京艺术学院音乐学院
出 处:《中国音乐》2024年第4期91-96,117,共7页Chinese Music
摘 要:研究笙管乐,就要研究大曲;研究大曲,就要讲究谱本;讲究谱本,就要找到标本。这个标本,在河北省雄县。雄县谱本,一是存目完好,二是记年明确,三是抄列目录。三项指标,缺一不可。大曲研究,宫调定位,莫相统摄,不胜困弊,盖因未能找到坐标。拥有大量工尺谱的传统音乐,仅仅记录单行谱,难以阐释何以产生了旋律支脉的原因。当代排版技术解决了线谱、简谱、工尺谱对照的困境,让今人可以充分利用这份遗产。中西同框,古今叠加,图谱双映,简便有效。To study Shengguan music(a type of traditional Chinese wind and percussion music),it is essential to study Daqu(large-scale musical compositions).To study Daqu,one must focus on musical scores;and to focus on musical scores,one must find the standard specimen.This specimen is located in Xiong County,Hebei Province.The Xiong County scores meet three key criteria:they are well-preserved,clearly dated,and include transcribed catalogs.These three criteria are indispensable.The study of Daqu and the precise positioning of modes often encounter significant challenges due to the lack of a definitive reference point.Traditional music that possesses a vast collection of Gongche scores often records only single-line scores,making it difficult to explain the reasons behind the emergence of melodic branches.Modern typesetting technology has resolved the difficulties of comparing staff notation,numbered musical notation,and Gongche notation,allowing contemporary researchers to fully utilize this heritage.By combining Chinese and Western methods,overlaying ancient and modern elements,and using visual comparisons of scores,this approach is simple and effective.
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