交汇·互融·共生——《丝竹小谱》曲调的源与流  

Convergence,Integration,and Symbiosis:The Origins and Flow of Melodies in Sizhu Xiaopu

作　　者：祝欣怡 Zhu Xin Yi

机构地区：[1]中国音乐学院

出　　处：《中国音乐》2024年第4期110-117,共8页Chinese Music

基　　金：2019年度国家社会科学基金艺术学青年项目“晚清至民国丝竹工尺谱本整理与研究”(项目编号:19CD175)的阶段成果;2022年度浙江音乐学院实验室及科学研究平台开放基金资助项目一般课题《江南民间音乐研究——以〈丝竹小谱〉为例》(课题编号:ZY2022M006)的阶段成果。

摘　　要：本文聚焦迄今所见最早的江南丝竹工尺乐谱《丝竹小谱》,选择与之相关的清代、民国时期流行于江南地区的乐谱进行版本互证,从辑录曲目的原生分类及曲调旋律的流变状态可知丝竹谱本编撰的“经典化”思维和江南丝竹与其他江南乐种的具体交融状态,意在从谱本出发探知江南民间音乐的互融特征。This paper focuses on the earliest known Gongche notation score for Jiangnan Sizhu(silk and bamboo music),Sizhu Xiaopu.By comparing it with related scores from the Qing Dynasty and the Republic of China that were popular in the Jiangnan region,the study examines the original classification of collected melodies and the evolution of their tunes.This reveals the"classicization"mindset in the compilation of Sizhu scores and the specific integration of Jiangnan Sizhu with other Jiangnan musical genres.The aim is to explore the characteristics of mutual integration in Jiangnan folk music based on these scores.

关 键 词：《丝竹小谱》 江南丝竹 江南乐种 交融状态 

分 类 号：J613.4[艺术—音乐]