由美育而美学——中国近代音乐美学思想萌发过程探析  

From Aesthetic Education to Aesthetics:Analysis of the Germination Process of ModernChinese Musical Aesthetics

作　　者：刘恩娜[1] Liu En Na

机构地区：[1]中国音乐学院

出　　处：《中国音乐》2024年第4期191-198,208,共9页Chinese Music

摘　　要：音乐美学可以从哲学、心理学、社会学以及音乐自身美学特性等角度予以研究。从哲学角度出发研究音乐艺术,则主要涉及音乐本质、音乐内容以及音乐与现实之间关系等问题。本文以《二十世纪中国音乐美学》收录的文论为主要史料,论述中国近代音乐美学思想发展历程。Music aesthetics can be studied from various perspectives,including philosophy,psychology,sociology,and the aesthetic characteristics of music itself.The philosophical study of music art primarily involves the nature of music,the content of music,and the relationship between music and reality.This paper discusses the development of modern Chinese musical aesthetics based on literary theories collected in 2Oth-century Chinese musical aesthetics.

关 键 词：中国近代音乐史 美学 美育 

分 类 号：J601[艺术—音乐]