天使、妖妇及“人”——论《聊斋志异》中的三类女性  

Angels,Temptresses and“People”:the Three Types of Women in Liao Zhai Zhi Yi(Strange Tales of A Lonely Studio)

作　　者：李慧杰 LI Huijie(School of Liberal Arts,Henan University,Kaifeng Henan 475001,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《乐山师范学院学报》2024年第6期38-43,共6页Journal of Leshan Normal University

摘　　要：在以男性为中心的文学史上,男作家笔下的女性形象往往被截然分为两大类型———“天使”与“妖妇”。“天使”一类的女性形象是男权社会审美理想的载体,而“妖妇”一类的女性形象则表达了男权社会对某些女性气质的厌恶。在《聊斋志异》这一男性文本中,“天使”与“妖妇”形象占据着重要位置,暗含了作者蒲松龄对男权文化的重申与强调。然而,值得注意的是,《聊斋志异》中还存在着一些“新女性”。这些“新女性”追求自由独立的人格,有着强烈的女性解放色彩。In the male-centered literary history,the female images written by male writers are often divided into two categories,namely“angels”and“temptresses”.“Angels”image is the carrier of the aesthetic ideals of the male-dominated society,while“demon”one shows the male-dominated society's disgust at certain femininity.It is easily found that the images of“angels”and“temptresses”occupy an important position in the male-oriented text Liao Zhai Zhi Yi(Strange Tales of A Lonely Studio),which implies the author Pu Songling’s reaffirmation and emphasis of patriarchal culture.However,it is worth noting that there are still some“new women”in the novel.These“new women”pursue free and independent personalities and have a strong color of female liberation.

关 键 词：天使 妖妇 “人” 《聊斋志异》 

分 类 号：I106[文学—世界文学]