先锋的突围独舞——论孙甘露《千里江山图》的叙事策略  

The Breakthrough of“Avant-Garde”in Solo Dance--On the Narrative Strategy of Sun Ganlu’s A Thousand Miles of Rivers and Mountains

作　　者：王桂荣[1] 刘佳慧[1] WANG Guirong;LIU Jiahui(School of Chinese Language and Literature,Liaoning Normal University,Dalian 116029,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116029

出　　处：《渭南师范学院学报》2024年第8期58-63,共6页Journal of Weinan Normal University

基　　金：辽宁省社会科学基金自选项目:辽宁当代女诗人创作的文化价值观研究(L18DZW003)。

摘　　要：孙甘露的先锋小说在技巧性、艺术性、文学性等方面展现出的叙事魅力毋庸置疑。在孙甘露的长篇小说《千里江山图》中,他仍未放弃先锋的叙事实验,同时以另一种叙事姿态更为深刻且全面地展示出叙事大家的风采。他突破性地用简洁的语言掀开暗流涌动、悬念迭起的一段革命历史叙述一角;以全知叙述与受限视角进入身份隐秘、命运不明的一群革命青年的内心;将神圣而崇高的信念作为自己文学创作与人物行动的助推剂。最终,孙甘露也许就能在历史与故事的时光缝隙间找到令人无限遐思的《千里江山图》。There is no doubt about the narrative charm of Sun Ganlu’s avant-garde novels in the aspects of skill,artistry and literature.In Sun Ganlu’s novel A Thousand Miles of Rivers and Mountains,he does not give up the pioneer narrative experiment,with a unique narrative style to show the style of the narrative master deeply and comprehensively.He broke through with concise language to open the undercurrent,suspense of a revolutionary history narrative corner,to touch the heart of a group of revolutionary youth with secret identity and unknown fate through omniscient narration and restricted perspective,to use the sacred and lofty faith as their own material for literary creation and character action.Eventually,Sun Ganlu may be able to find the infinite reverie of A Thousand Miles of Rivers and Mountains between the time gap of history and story.

关 键 词：孙甘露 《千里江山图》 先锋 叙事 

分 类 号：I206.7[文学—中国文学]