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作 者:包美娜 Bao Meina(Bejing Institute Of Fashion Technology,Bejing 100105,China)
机构地区:[1]北京服装学院,北京100105
出 处:《艺术与设计(理论版)》2024年第7期123-126,共4页Art and Design
摘 要:以莫里斯·梅洛-庞蒂(Maurice Merleau-Ponty)视角为切入点,身体是我们在世的基础,并且此时的身体相对传统客观意义上的身体它是一种现象的表现。在身体的内在形式与作用机制中借以知觉和行为的嵌入,成为了身体之肉创造其产生内在原初意识指向与指导我们在社会空间遵循外在存在秩序的工具。如此特性也使身体在现实世界呈现为具有物理功能性的及链接跳跃性与连续性的反身实在系统。而在草间弥生的具身创作中,身体的这种物理秩序、文化秩序与社会秩序和人的精神秩序都达到了高度的和统一与和谐。草间弥生作为时尚界出色的装置艺术家,热衷于以肉身的形式与经验来探索社会时尚空间的延展方向及尺度,以看似无声的隐喻与表达来传递身体的实际温度及价值。在社会空间时尚辖域内,在草间弥生的具身实践中,引发了我们诸多关于具身感知的切实思考,而这在某种程度上也印证了将身体研究作为社会时尚研究体系重要分支的必要性。From the perspective of Merleau Ponty,the body is the foundation of our existence,and the body at this time is a manifestation of a phenomenon compared to the traditional objective sense of the body.The embedding of perception and behavior in the internal form and mechanism of action of the body has become a tool for the creation of the flesh of the body,which generates internal primal consciousness and guides us to follow the external order of existence in social space.This characteristic also makes the body appear as a reflexive reality system with physical functionality and linked jumping and continuity in the real world.In the embodiment creation of Yayoi Kusama,the physical order,cultural order,social order,and spiritual order of the body have all reached a high degree of unity and harmony.As an outstanding installation artist in the fashion industry,Yasushi Kusama is passionate about exploring the extension direction and scale of social fashion space through physical form and experience,conveying the actual temperature and value of the body through seemingly silent metaphors and expressions.Within the scope of social space fashion,the embodied practice of Yayoi Kusama has sparked many practical reflections on embodied perception,which to some extent confirms the necessity of making body research an important branch of the social fashion research system.
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