从初唐至五代时期敦煌文殊经变图看狮文化的形成  

The Formation of Lion Culture in Dunhuang from the Early Tang Dynasty to the Five Dynasties

作　　者：苏文婷 Su Wenting(School of Fine Arts,Ningxia University,Yinchuan 750021,China)

机构地区：[1]宁夏大学美术学院,银川750021

出　　处：《艺术与设计（理论版）》2024年第7期130-133,共4页Art and Design

摘　　要：文章从敦煌文殊经变图入手,分析了从初唐至五代文殊骑狮图中的狮形象变化过程,发现狮形象在本土化过程中逐渐被“驯化”。狮文化在中国的演变并不单纯依靠狮形象是否张嘴吼来体现,而是通过与画面中其它构成元素协调配合来表达的。文章提出,昆仑奴不再作为画面中必要的构成元素,是因为狮形象被“驯化”后,其逐渐成为一种可有可无的装饰形象之故。Starting with the changing map of Manjusri Sutra in Dunhuang,this paper analyzes the changing process of lion image in Manjusri Riding lion Map from the early Tang Dynasty to the Five Dynasties,and finds that the lion image has been gradually"domesticated"in the process of localization.However,the change in the evolution of lion culture is not solely reflected by whether the lion image is roaring with its mouth,but is expressed through coordination with other elements of the picture.In addition,Kunlun is no longer a necessary element in the picture,because after the lion image was"domesticated,it gradually became a decorative image.

关 键 词：敦煌壁画 文殊经变图 狮造型 昆仑奴 

分 类 号：K879.21[历史地理—考古学及博物馆学]