活态传承视角下非物质文化遗产展示空间路径研究——以津派花丝镶嵌技艺为例  

Study on the Spatial Path of Intangible Cultural Heritage Display under the Perspective of Living Inheritance:The Case of Jin School Filigree Inlay Technique

作　　者：刘洪波[1] 卢敏学 刘虹[1] Liu Hongbo;Lu Minxue;Liu Hong(School of Engineering for the Deaf,Tianjin University of Technology,Tianjin 300384,China)

机构地区：[1]天津理工大学聋人工程学院,天津300384

出　　处：《艺术与设计（理论版）》2024年第7期134-137,共4页Art and Design

基　　金：天津艺术规划基金项目(项目编号E20022);天津社科基金项目(项目编号TJJX18);天津理工大学研究生教育教学改革项目(编号ZDXM2305)的阶段性研究成果。

摘　　要：随着现代化的进程和社会变迁的加速,非物质文化遗产的保护与传承已成为全球关注的焦点。传统的非物质文化遗产展示方式常常无法满足公众对于互动参与和体验式学习的需求,因此需要构建一个符合现代社会需求的活态传承展示空间。文章通过分析津派花丝镶嵌技艺的特点以及非物质文化遗产展示空间的现状,结合活态传承理论,提出了构建活态传承的非物质文化遗产展示空间的路径,并探讨其对于非物质文化遗产保护与传承的意义。With the process of modernization and the acceleration of social change,the protection and inheritance of intangible cultural heritage has become a focus of global attention.The traditional way of displaying intangible cultural heritage often fails to meet the public's demand for interactive participation and experiential learning,so it is necessary to build a living heritage display space that meets the needs of modern society.This paper analyzes the characteristics of Jin-style filigree mosaic techniques and the current situation of intangible cultural heritage exhibition space,combines the theory of living inheritance,puts forward the path of constructing intangible cultural heritage exhibition space of living inheritance,and discusses its significance for the protection and inheritance of intangibleculturalheritage.

关 键 词：非物质文化遗产 津派花丝镶嵌技艺 展示空间 活态传承 

分 类 号：J0[艺术—艺术理论]